Éric Le Sage is established as a famous representative of the French piano school, regularly boasted for his very subtle sound, his real sense of structure and poetic phrasing. Already when he was 20 years old, the Financial Times had described him as “an extremely cultivated disciple of the great French tradition of Schumann piano”. In 2010, die Zeit, praised his “ideal French piano aesthetics and clarity”
Éric Le Sage is invited to perform as a soloist with orchestras at the highest level such as the Los Angeles Philharmonic, Philadelphia Orchestra, Toronto Symphony Orchestra, Saint-Louis Symphony Orchestra, Berlin’s Konzerthaus Orchester, SWR Symphony Orchestra, Bremer Philharmoniker, Dresden Philharmonie, Royal Scottish National Orchestra, Göteborg Symphony Orchestra, Rotterdam Philharmonic, NHK Symphony Orchestra, Yomiuri Nippon Symphony, Tokyo Metropolitan Orchestra, Münchner Kammer Orchester, Dresdner Philharmonie, Orchestre Philharmonique de Radio France, Orchestre National de Bordeaux-Aquitaine, Queensland Symphony Orchestra, Orchestre Métropolitain, Chamber Orchestra of Europe, with conductors like Edo de Waart, Stéphane Denève, Pablo Gonzalez, Fabien Gabel, Sir Jeffrey Tate, François Leleux, Alexander Liebreich, Kazuki Yamada, Alondra de la Parra, Lionel Bringuier, François Leleux, Michael Stern, Leonardo García-Alarcón, Sir Simon Rattle and Yannick Nézet-Seguin.
Éric Le Sage has performed recitals and chamber music concerts in major venues across the world such as Wigmore Hall, Suntory Hall, Carnegie Hall, Hamburg’s Laeiszhalle, Paris Philharmonie, Théâtre des Champs-Elysées, Radio France, Cologne Philharmonie, Essen Philharmonie, Dresden Philharmonie, Frankfurt’s Alte Oper, Amsterdam’s Concertgebouw, Schwartzenberg’s Schubertiade, Salzburg Mozarteum, Ludwigsburg Festival, Prague’s Rudolfinium, Taipei National Concert Hall, Konzerthaus Vienna, Luxembourg Philharmonie, Dublin’s celebrity series, Edinburgh International Festival, Düsseldorf Tonhalle, la Roque d’Anthéron Festival, Potsdam Sanssouci, Brussels’ Bozar, Berlin’s Boulezsaal, Konzerthaus Berlin, Berlin Philharmonie.
Éric Le Sage released many albums, all of which were critically acclaimed and received multiple awards. Besides his world-famous Schumann cycle in 2010 that were awarded the very prestigious Jahrespreis der deutschen Schallplattenkritik, other milestones include Francis Poulenc's complete chamber works with piano (BMG, 1998), Fauré¹s complete works for chamber music with piano, and Brahms complete chamber music works (B-Records, 2021).
Two magnificent albums were released in 2022: A Mozart album under the baton of his longtime stage partner François Leleux and the Gävle Symphony Orchestra on Alpha (concertos n° 17&24) and a solo album on Sony Classical featuring rare French repertoire from the beginning of the 20th century.
In the last few years Éric Le Sage released Fauré’s complete Nocturnes on Alpha (2019) and Beethoven's last 3 Sonatas (2014).
Other recent chamber music recordings include collaborations with such artists as tenor Julian Pregardien for a Schumann album (2019) or Emmanuel Pahud, Paul Meyer, Daishin Kashimoto, Aurélien Pascal and more for albums around repertoire from Vienna in the 1900s, and works by Nino Rota.
A true chamber music lover, Eric regularly plays with friends like Emmanuel Pahud, Paul Meyer, Quatuor Ebène, François Leleux, Jean-Guihen Queyras, les Vents Français, François Salque, Lise Berthaud, Daishin Kashimoto, Claudio Bohorquez, Julian Prégardien, Sandrine Piau, Olivier Latry and many other musicians.
Born in Aix en Provence, Eric Le Sage was the winner of major international competitions such as Porto in 1985 and the Robert Schumann competition in Zwickau, in 1989. He was also a prize-winner at Leeds International competition the same year, which allowed him to perform under the baton of Sir Simon Rattle.
Eric Le Sage is Professor at the Hochschule für Musik in Freiburg, Germany.
Paul Meyer is not only one of the outstanding clarinetists worldwide and performs regularly with the major orchestras in Europe and the USA, in the Far East and Australia, since 1988 he has also worked internationally as a conductor alongside his solo career. He is the founder of the Orchester de Chambre d'Alsace, was assistant to John Crewe at the Northern Junior Philharmonic in England and was appointed Associate Chief Conductor of the Seoul Philharmonic Orchestra by Myung Whun Chung in 2007, whose international profile he has above all with a French repertoire and works by Roussel, Dukas and Saint-Saëns. Paul Meyer is a co-founder of the orchestra academy there for young artists. From 2009 to 2012, Paul Meyer was chief conductor of the Tokyo Kosei Wind Orchestra and has since worked with well-known orchestras such as the Orchester Philharmonique de Radio France, the Orchester Philharmonique de Nice, l'Orchestre National de Bordeaux, the Hamburg Symphony Orchestra, the Royal Flemish Philharmonic Orchestra, the Tokyo Philharmonic Orchestra, the Danish Symphony Orchestra or the China Philharmonic, his artistic work to date is on more than 50 CDs Documented recordings with leading labels, including DGG, Sony, RCA, EMI and Virgin; for this he was awarded numerous prizes such as Fono-Forum, Diapason d'Or, Choc du Monde de la Musique, Gramophon and Grammy Awards. His recordings as a conductor with the Camerata Padova (piano concerts by Mozart and Haydn with JM Luisada), with the Royal Philharmonique de Liège (works by Darius Milhaud) and the Brussels Philharmonic (works by Corigliano & Carter), with the Staatskapelle Weimar (cello concert by Elgar & Walton) as well as horn concerts from different epochs with the Stuttgart Chamber Orchestra and the highly successful CD "Bolero de Meyer" with the Tokyo Kosei Orchestra. His series of Play & Conduct recordings with the Orchester de Chambre de Lausanne has won awards.
In the series of chamber orchestras previously conducted by Paul Meyer, only the following are mentioned: Orchester de Chambre de Paris, Scottish Chamber Orchestra, English Chamber Orchestra, Stockholm Cham-ber Orchestra, Prague Philharmonia, Prague Chamber Orchestra, Sinfonia Varsovia, Stuttgart Chamber Orchestra and the Munich chamber Orchestra.
In 2012, the French state Paul Meyer awarded the highest cultural award of the "Commandeur de l'Ordre des Arts et des Lettres" for its musical achievements to date.
In autumn 2018, Paul Meyer was unanimously elected to succeed Johannes Schlaefli as the new chief conductor of the Chamber Orchestra Mannheim, in whose hands the artistic development of the traditional orchestra will lie from the 2019/2020 season.
Between frost and anticipation: a concert that hints at spring with French lightness.
Wolfgang Amadeus Mozart: Symphony No. 29 in A major K. 201
Joseph Haydn: Symphony No. 91 in E flat major Hob I:91
Franz Ignaz Beck: Overture to “L'Isle déserte”
Wolfgang Amadeus Mozart: Piano Concerto No. 27 in B flat major K. 595